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His manipulation of color and light is awesome. There's a looseness in his brushwork that conveys a subtle intensity, and it comes through in his figures.
GIRL WITH DOLL, 1987, oil on linen, 70 x 50 in.
THE BED, THE CHAIR, JETLAG, 2000, oil on linen, 85 x 105 in.
THE BED, THE CHAIR, SITTER, 1999, oil on linen, 78 x 93 in.
UNTITLED #125, 1986, oil on kromecoat, 26.5" x 29"